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Teacher Lounge
Tom Hess is a graduate of Roosevelt University with a concentration in guitar. HESS became an official endorsee of Seymour Duncan Pickups in 2005. Mike Walsh and Tom Hess are featured in the new 2005 Randall Amplifiers product catalog as endorsees. Mike and Tom may do clinics for Randall/Washburn later this year. Tom Hess will release a brand new solo acoustic record later this year or very early next year. In addition to finishing the solo record, Tom is also continuing to compose HESS ~ Opus 3 and new songs for the debut HolyHell CD. New confirmed HolyHell tour dates are now posted at both the HESS and HolyHell website many more dates (for North America and Europe) will be added as they are confirmed.

Choosing the Right Teacher (continued):
By Tom Hess

The following things are not required for someone to be a good teacher, but it certainly is to your advantage to have a teacher who, in addition to teaching you about guitar and music, can help you in some of these other ways:

1) Guitar Pedagogy - This is learning how to teach guitar. If one of your goals is to be a guitar or music teacher, then you would benefit greatly from a teacher who can show you how to teach a variety of techniques, music theory, ear training, songwriting, improvisation, etc. You will also need to learn about how to deal with a wide variety of personality types. Every student is different. Each student learns and comprehends information in different ways. It is important for any teacher to understand this. You need to know how to explain the same information in several different ways so you can teach all of your students well.

2) Recording advice - The better you become as a musician, the more likely it will be that you will want to record your guitar playing. If you have little or no experience in this area, then having someone who can help you is especially helpful.

3) Music business - If you plan to record, release and sell your own CD, now or in the future, there is a huge amount of music business information that you will need to learn if you want to make any money. Some teachers who have released their own CDs, and are promoting it themselves, can be the best source of help for selling your CD. You can also learn other things like how to set up gigs for your band and how to get the press to write about you.

Now that you have a better idea about what to look for in a teacher, the next question is, where do you look for a good teacher? This depends on if you are looking for a teacher to teach you privately (face to face) or if you are looking for a teacher to teach you through correspondence. Both are good and there are advantages to both ways.

If you are looking for a private teacher to teach you face to face, check out these places first: Contact the music department at universities and colleges near you. Even if they can't help you directly, they can usually refer you to someone who can help. Next, you can try your local music shops (where guitars are sold). Most music shops offer lessons. And most of the teachers found here are not of the highest quality, but sometimes there are great teachers you can find at these shops.

When you call one of these shops, ask to speak to the manager or owner. Find out from him or her exactly who are the most qualified teachers for you (your style of music and skill level). After you get the teachers' names, make arrangements to speak to each of the teachers privately. Ask those teachers all of the questions we've gone over above. If you are not satisfied with any of those teachers, keep looking.

If you are looking for correspondence lessons, your search will be a little different (and these lessons are usually a little cheaper in the long run). You can look on the Internet for these types of teachers and you can also contact universities (in any part of the world). The best thing about correspondence lessons is that you can take lessons from any teacher in the world (that teaches via correspondence)! What I would look for in a correspondence teacher is someone who has been doing this type of teaching for a while, someone who always allows you to ask questions about your lesson via e-mail or telephone (for no additional charge!).

I personally don't think that courses (like CD-ROM courses) are a good idea because they don't provide the private and individual instruction needed to learn in the most efficient way. Even though correspondence lessons are not face-to-face, the lessons should be personalized for you, your skill level, your musical knowledge, your style of music and your musical goals.

Stay away from one-size-fits-all methods, or the cookie-cutter style courses. Everyone is different and is at a different level, has different musical goals, and likes different music. So the lessons (whether face to face or correspondence) should be tailored specifically to your needs.

After teaching guitar and music for over 11 years now, I can tell you that using the information above can make a huge difference in finding an experienced high quality teacher. An incompetent teacher can severely hinder your ability to fully develop your guitar and music skills. If you are not progressing well, but you are spending a lot of time practicing, find another teacher.

© Tom Hess, 2006
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